#golden facials
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canisalbus Ā· 6 months ago
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You could say I was horsing around.
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bayfuzzball7050 Ā· 7 months ago
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@kakyoinmonth Day 3!! ā€” Part 5 AU
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I have a love hate relationship with this because I like the general design but the colour palette reminds me of team rocket šŸ˜­šŸ˜­šŸ˜­ anyway, I like to think he cut his hair and is more confident and ā€˜chillā€™ now. Why? Dunno, I like chill kak
Oh, also the close up of the doodles
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mrmillipede Ā· 3 months ago
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the sickness that kills
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wheredidalltheusersgo Ā· 2 months ago
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Hi scribbbbb youā€™re so freaking epicā€¦.so freaking epic as hellā€¦could u draw bruno or bruabba?? All good if notā€¦.#awesome
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1 mafia capo and goth wife coming right up šŸ«”
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omo321 Ā· 5 months ago
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he is so mean to me (hard to draw) šŸ’”šŸ˜”
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cilant-lis Ā· 9 months ago
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two fools, an amber and a lord golden
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inejghafer Ā· 2 days ago
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Something I haven't seen people else talk about is jeans reaction to Jeremy coming back from 'running into a friend' and smelling of that guys perfume.
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Like,, jean was so utterly offended by that smell and how it didn't fit jeremy in his eyes (nose?).
So you know he remembers that perfume and WILL recognize it immediately again. And I just cannot stop thinking about scenarios where Jean randomly running into some guy (on campus, in class), getting one wiff of his smell and immediately connecting the dots and staring at him with the most offended, judgmental look on his face.
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ricomola Ā· 3 months ago
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āœØKo-Fi Exclusive: Expressive TsukishimašŸŒ™ https://ko-fi.com/i/IU6U116Y1GK
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randomfoggytiger Ā· 4 months ago
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David Duchovny's "Hail Mary" Nose (and Beard): an Aesthetic Study
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Been tumbling down some fashion rabbit holes, and came across the Golden Ratio: simply put, the face is divided lengthwise (horizontally) into thirds (the Thirds Ratio) and crosswise (vertically) into fifths. We're not going to get caught in the weeds with the latter category today, but I was curious to figure out David Duchovny's very singular features.
The Thirds Ratio is key to understanding the universally recognized standard of beauty. What is "pleasing", aesthetically, is proportionate uniformity. Because the eye (and human brain) works to find and replicate patterns, more uniformity means less information for the eye to bounce around and take in. The brain rewards less work with pleasure-- hence, why we are consciously or unconsciously "pleased" with symmetrical features. In short, this is why humanity pretty much agrees on what is most "desirable." Ideally, each third is identically proportioned, regardless of individual striking characteristics (large or narrow eyes; small or large lips; wide or narrow nose; etc.)
In the picture below, I very helpfully divided DD's face into horizontal thirds: the upper third, the middle third, and the lower third.
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As we can see, his face-- like most faces on the planet-- is not cut up into idealized thirds: his upper third (hairline to eyebrow) is the largest section, while his middle third (eyebrow to nose tip) and lower third (nose tip to chin-- which includes double chins and beards) are smaller, but equal, thirds.
Now: David is obviously a handsome man... but why? He has a big forehead (large upper third), a big nose, small eyes, and a small chin. How do they work together to harmoniously frame his face?
Simply, simply put: the face draws the eye up or down depending on the length and width of its features. It's all about balancing each feature to draw the eye exactly where a person wants it to rest.
For David, his longest and widest part is his forehead: hence, our eyes are invited to rest there naturally.
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To minimize a large (and wide) forehead, bangs are traditionally recommended-- side-swept particularly-- that cut off the corners of the rectangle. (Hence, why DD's most iconic roles-- and hairstyles-- usually feature bangs... unless he razes his hair short.)
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Too short, however, will only highlight how much forehead there is:
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Now, you might be saying: "But David looks great in pretty much any haircut (unless super flat or super short.) If he has a large forehead, why doesn't he 'need' bangs to hide it all the time?"
Because of his face's saving grace:
THE NOSE
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No, I'm not kidding.
DD's thirds we already know; but that's not the end-all-be-all. This is where we divert from the Ratio principle: his forehead pulls the eye towards it, of course; but his other distinctive feature-- his nose-- carries a lot of visual weight, and captures our attention secondarily. So, his forehead may draw our gaze naturally UP, but his nose draws our gaze immediately back DOWN. If David had a more tapered or slender nose, our eyes would have nothing to land on except his forehead.
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Our eyes, we've established, bounce quite naturally from The Forehead to The Nose. And where from there?
What is the next distinctive feature? The eyebrows. And what do the eyebrows frame? The eyes. Therefore, our eyes come to land quite naturally on his --exactly where you want them to.
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Which is why filled in (and darker) eyebrows are important to David's face, as well: they help hold structure and redirect attention. Without them, the eyes have no place to be directed to other than The Nose:
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I personally think "no bangs" suits DD better; with them, our glance is drawn first to The Nose, which can then seem out-of-proportion compared to his small eyes and small chin (which is probably why Hank Moody wore sunglasses all the time-- to make his "eyes" appear bigger, thereby rebalancing his middle third.) David has to turn for us to notice his broader, masculine jaw; but even then, we would be focusing on his profile instead of his face.
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We come to the truth of why I started this little journey: The Beard.
THE BEARD
Why, oh why, does David look good in a beard?
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Again, again, we refer back to his thirds proportions: top 1/3 largest, middle and lower 1/3s equal.
Now. As we've already explored, David's middle third draws our eyes down from his forehead because of The Nose; which means, the upper and middle thirds now have distinctive, eye-catching features. But what about the lower third? His chin isn't particularly long or sharp or pointed; and his lips aren't especially plump or full or wide. In fact, both attributes are rather short and delicate compared to the whole.
So, what adds distinction-- even length-- to his lower 1/3 ratio?
A beard.
By wearing a beard, DD (unintentionally) tricks the eye into recreating a false, perfected balance between his thirds: a long upper third, a false long middle third (because of The eye-catching Nose), and a false lower third (because of the chin-lengthening beard.) Meaning, his thirds are in equal, idealized harmony.
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BALANCE IS KEY
But what happens if he mashes strategies together? Does that work out for him?
Well, he can pull it off... but not as effectively.
On the left, we see David sporting a hairstyle that maximizes his concerns: side-parted and up-and-back, which draws more visual attention to his large upper third. He's corrected that on the right with bangs; but now that his upper third isn't the focal point, we're left with The Nose and The full Beard as two (rivaling) features. This, in effect, drags our eyes DOWN and bounces them back and forth between two focus points; which, in effect, makes his face appear wider and heavier around the jowls. Not as flattering as Bearded and Bangless, but not as terrible as Severe Side-Part and Up-Swept.
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CONCLUSION
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So: what's the takeaway?
David can wear any hairstyle except ones flat to his head or severely swept up and away from his crown. Those maximize the appearance of his forehead.
He can also pull off bangs-- side bangs in particular-- that shave away the edges of his forehead.
But DD doesn't need them, really, because his nose draws our gaze down and rests them in his middle third (where his eyebrows and eyes are.)
If he wanted to draw a more natural, "even" proportion between his top and middle third, darkening or filling in the top line of his brows (and creating an arch for his hooded eyes) would help to hold one's gaze there (e.g. why photos of his face without darker eyebrows look "off.")
And, lastly, The Monotone can maximize his thirds by growing out a beard.
We can see these five principles at play in the picture below: bangs on the right to hide his forehead; beard on the left to equalize his upper, middle, and lower thirds.
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Thanks for reading~
Enjoy!
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trashcanwithsprinkles Ā· 5 months ago
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designs nobody asked for
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thelastunison Ā· 11 months ago
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And the mercy seat is waiting
and I think my head is burning
and in a way I'm yearning
to be done with all this measuring of proof
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canisalbus Ā· 9 months ago
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hey there! sorry to bother again, but I was in a animating mood, so I ended doing a short animation of Machete for practice. It's kinda messy since I havent done that for a while, but hope you like it!
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jichanxo Ā· 9 months ago
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redraw of an umineko piece from 2019 (original under the cut)
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this one was drawn/lined traditionally, then coloured digitally. the redraw is all digital.
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ayverx Ā· 6 months ago
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A sketch of younger master wu I made
What the sketch was for : The post
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philiponmycracker Ā· 2 months ago
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Tom Hulce as Brillstein, in Fearless (dir. Peter Weir, 1993)
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apifacture Ā· 3 months ago
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āš˜ picrew
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tagged by: the ineffable @sunmad. ā™” tagging: anyone who wants to do it!
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